![licht bach licht bach](https://64.media.tumblr.com/abe691a646cc84bbc51577041e55e01c/66ae6cdefbc31c25-64/s540x810/e1bff37f5fc6cb4a6354b3f921ee782f48b9e36f.png)
He reveals he is not the Ace as the legend of the Ace is three hundred years old, meaning the Ace is long dead. As Hina has a higher number she orders him to stop, so he tricks her into a Star Stake, a duel wagering their numbers, and after severely beating her he takes 440 from her, leaving her with only 1. He attempts to molest her, until she shows him the 10,000 orb, which he identifies as a Ballot and tries to take it from her. She meets a sergeant major with a star on his face who claims to be the Ace. Hina explains her number, 441, comes from having walked 44,100 kilometres. Hina searches for five years until one day she meets Licht, a masked perverted idiot, and his boss, Nana, who explains that all people are forced to obey orders from anyone with a higher number. Hina witnesses her mother being dragged into the abyss, but not before her mother gives her a glass orb with 10,000 inside it and tells her to find the Legendary Ace with the white star. If it ever reaches 0 they are dragged into a dark abyss. In a post-apocalyptic world humans have their worth measured by a number printed on their bodies. Transcription: " Densetsu no Gekitsui-ō" ( Japanese: 伝説の撃墜王)
Licht bach series#
Funimation premiered the first two episodes of the series on YouTube in the United Kingdom, Ireland, Australia and New Zealand on December 8, 2019. From episodes 12–24, the second opening theme is "Kokou no Hikari Lonely dark" by Itō Miku while the second ending theme is "Reason of Life" by Honnizumi Rina, Ozawa Ari, and Itō Shizuka.įunimation acquired the series for distribution, and streamed the series on FunimationNow in English speaking regions, and on AnimeLab in Australia and New Zealand. From episodes 1–11, the opening theme is "Plunderer" by Miku Itō while the ending theme is "Countless Days" by Rina Honnizumi. The series premiered from January 8 to June 24, 2020.
![licht bach licht bach](https://picfiles.alphacoders.com/336/thumb-1920-336527.png)
Salvation through the juice of this vine.Plunderer is a Japanese anime series adapted by Geek Toys from the manga series of the same name written by written and illustrated by Suu Minazuki. Weil Jesus mich tröstet mit himmlischer Lust.īut Thy comforting words revive my spirit. Verwandle dich, Weinen, in lauteren Wein!Įs wird nun mein Ächzen ein Jauchzen mir sein.Įs brennet und flammet die reineste Kerzeĭer Liebe, des Trostes in Seele und Brust, (B) Entweichet, ihr Sorgen, verschwinde, du Schmerze!Įrfreue dich, Seele, erfreue dich, Herze, (S) Ach, Jesu, durchsüße mir Seele und Herze! Scheint itzt, als sei es dir ganz unbewußt. Ich hatte viel Bekümmernis in meinem Herzen Īber deine Tröstungen erquicken meine Seele. So by chance, this cantata – with its Vivaldian opening chorus – was Bach’s farewell to the prince. One year later, he died without seeing Weimar or Bach again. In the spring of 1714, a “holländische Kutsche” was procured and he set off on 4 July. He was ill and travelled to a health resort. This was probably the last big work by Bach heard by Prince Johann Ernst. On 17 June, the third Sunday after Trinity, the longer version of this cantata was performed there. And so the church cantatas for Weimar were born. In March 1714, Bach was told that he must “monatlich neüe Stücke ufführen” for the court chapel. This early version consisted only of parts 2–6 and 9. The theme of the sermon for this service was psalm 94, verse 19, which is precisely the text of the opening chorus of Bach’s cantata. An early version of the cantata probably originated in 1713, written for the funeral of the wife of a high court official, on 8 October. In the opening chorus of this cantata, you can hear clear echoes of one of Vivaldi’s concertos. The Italian influence could be heard immediately in Bach’s own music of the period. These violin concertos and Vivaldi’s Italian style were enthusiastically played and arranged by Bach and by Johann Ernst himself. He brought new music with him, including Vivaldi’s L’estro armonico, which had been printed in Amsterdam in 1711. Their shared love of music received a boost after the prince returned from a long trip to the Netherlands, in July 1713. In 1708, the prince was entering his teens, when Bach returned to Weimar in July of that year. Maybe Bach already recognised his musical talent, as years later the two of them were connected through music. The six-year-old Johann Ernst IV of Saxe-Weimar, born in 1696, was the son of Bach’s employer. When Bach worked briefly at the court of Weimar, in 1703, a young prince was living there.